All About Thangkas: Preservation Workshop, May 6, 2017 New York City


All About Thangkas
Workshop in New York City

Date: May 06, 2017
Time: 9:00 am – 6:00 pm
Location: Talas, 330 Morgan Avenue, Brooklyn, New York

Reserve your place in this intensely informative and comprehensive day-long workshop, with keynote presentations, open Q&A during catered lunch, and discussion of thangka examples.

Thangkas present conservators, curators, collectors, and dharma students with a unique challenge in choice of preservation measures and conservation treatment. It is crucial to have background in the techniques of their manufacture and historical use.

“All About Thangkas” presents the entire thangka form, textile and painting components, and details of their creation, use, deterioration and preservation.

Workshop is limited to 20 participants.
To register and for further information:
treasurecaretaker@icloud.com

About the Instructor:
Ann Shaftel saw her first thangka in 1955 during a school trip to the American Museum of Natural History (AMNH). Since 1970 she has been working with thangkas in monasteries, museums, dharma centers and for private collectors. Ann has worked with the Rubin Museum collection, AMNH, UNESCO, Yale University, Asian Art Museum of San Francisco, Art Institute of Chicago, and many more.

Ann’s current conservation outreach project, http://www.treasurecaretaker.com trains monks and nuns to protect and preserve Buddhist sacred treasures in their own monasteries, with workshops in Bhutan, India and Nepal.

Ann is a Fellow of the American Institute for Conservation, a Fellow of International Institute for Conservation, Member of Canadian Association of Professional Conservators, ICOM-Canada, and ICOMOS. She trained in conservation at Winterthur/University of Delaware and ICCROM. Ann has an MA in Asian Art History.

Private tours of thangkas at the Rubin Museum and the American Museum of Natural History (AMNH) on May 4, 5 are offered by arrangement.

 

Mystic and Glamorous Exhibition of Goryeo Buddhist Painting

Flushing Town Hall (New York)
Sat Apr 22, 2017 – Wed May 3, 2017

In partnership with New York Korean Cultural Heritage Foundation, Inc., this exhibition features the art works of three contemporary Korean artists: Joy Rock, Chang Ho Kang, and Seoung Jo Hyun, who have inherited and developed the spirit and traditional techniques of Goryeo Buddhist Paintings. The genre of Goryeo Buddhist Paintings is one of the highlights of the renaissance in Korean fine arts during the Goryeo Dynasty (918-1392).

Opening Reception: SAT, APR 22, 5-7 PM

Lecture & Demonstration: SAT, APR 22, 7-8 PM (Theater)

Gallery Dates: SAT, APR 22 – WED, MAY 3

Gallery Hours: TUE-SUN, 12-5 PM

$5 Suggested Donation/FREE for Members & Students

The art of the Goryeo Dynasty is represented by three distinguished genres: Goryeo Buddhist Painting, Goryeo Pottery, and Goryeo Sutra Transcribing Art. Though Goryeo Pottery is widely known, many people are unfamiliar with Buddhist Painting and Sutra Transcribing Art.

Goryeo was a Buddhist Kingdom that lasted 474 years (from 918 to 1392), and the people of Goryeo had a deep sense of faith in Buddhism and after a 30-year war against the Mongols the people of Goryeo returned to Gaegyeong and produced Buddhist paintings on silk with gold powder. The Buddhist paintings that remain today – about 160 pieces – are all works after Gaegyeong was reestablished as the capital of Goryeo in 1270.

All of those works were painted on top of silk canvasses and hung on walls with hanging poles. Unlike wall paintings, they had the advantage of being hung up only when necessary and were thus mobile. Goryeo Buddhist paintings involved the use of gold powder and the technique of coloring the back of the silk canvas. They are distinguishable by patterns of exquisitely drawn lines.

The three artists whose works will be presented at Flushing Town Hall this Spring have long and distinguished careers focusing on Buddhist Painting. They all received Masters in Fine Arts in Buddhist Painting at Yongin University, currently serve in research roles, and have had their works awards – presented in solo and group exhibitions. Continue reading

Australian Decorative and Fine Arts Society, Launceston hosts Tibetan expert Zara Fleming Lucy Stone

Lucy Stone
18 Apr 2017, 5 p.m.

One of the world’s most senior specialists in Buddhist art and Central Asian history will be speaking in Launceston in May.

Zara Fleming, from the United Kingdom, is an art historian, curator and lecturer on the art and culture of Tibet, Mongolia and the Himalayas. Speaking as a guest of the Australian Decorative and Fine Arts Society, Launceston branch, Ms Fleming will give an overview of Tibetan history from the foundation of the Tibetan Empire in the sixth century to the present day.

She will also explore the art and culture inspired by Buddhism, introduced from India in the seventh century, and provide insight into the political reality of life in Tibet now.

Ms Fleming will speak at an upcoming lecture at the Sir Raymond Ferrall Centre at the University of Tasmania’s Newnham campus on Tuesday, May 9, starting at 6pm.

Tickets to the lecture are $30 including refreshments. For more details visit www.adfas.org.au/societies/tasmania/launceston/ or email launceston@adfas.org.au.

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Man stumbles upon rare idol of female Buddha

Archaeology enthusiast R Rathnkar Reddy at the Buddhist idols at Ippagudem village in Station Ghanpur mandal of Jangaon district Open

Telangana Today, Friday, April 14, 2017

By P. Laxma Reddy | Published: 25th Mar 2017 11:00 pm

Jangaon: Much to the delight of archaeologists and historians, a rare idol of Tara – the female Bodhisattva in Mahayana Buddhism who appears as a female Buddha in Vajrayana Buddhism – was found at Ippagudem in Station Ghanpur mandal recently.

Archaeology and history enthusiast R Rathnakar Reddy found the black granite idol abandoned near the bund of a tank. He first mistook it for Yakshini of Jain mythology. But later, noted archaeologist and historian Emani Shivanagi Reddy confirmed it as Tara.

“It was Shivanagi Reddy who identified the idol as Tara. There is an engraved image of Buddha on the hair bun. The deity’s upper body is naked with large breasts, which is the most common description of Tara in Buddhist literature,” Rathnakar said.

Rathnakar also found a broken idol of Buddha near the black granite structure, which helped them confirm that it was Tara. Both the idols – three-ft-tall Tara and four-ft-tall Buddha – take historians and archeologists closer to the Buddhist era. It is believed that idol of Tara, which was damaged, belonged to 8th or 9th century AD.

Considering the value of the idol, Rathankar Reddy urged the State Archaeology and Museums to shift it to a museum at the earliest. He said Telangana had some followers of Buddha during the 9th and 10th centuries.

Telangana Jagruthi State secretary Sri Ramoju Haragopal visited the site at Ippaguem on Friday and urged the government to preserve the idols. Though Tara is said to be a tantric meditation deity mainly worshiped by the followers of Vajrayana Buddhism, there are several other stories about her. And some of them indicate that she belonged to Hindusim and seen as a form of Shakti.

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New finds at Nateshwar excavation site

A section of the new excavation on the 10 acre Nateshwar archaeological site in Munshiganj’s Tongibari upazila, where scientists believe a Buddhist city was founded more than a thousand years ago. The photo was taken yesterday. Photo: Star

The Daily Star, March 25, 2017

Our Correspondent, Munshiganj

Scientists have discovered several archaeological evidences of a Buddhist city older than a thousand years at Nateshwar excavation site in Munshiganj’s Tongibari upazila.

The new finds include an entrance and walkway, prayer hall, mortar floor, three octagonal stupas, pot shreds, baked clay materials, and burnt bricks.

The scientists unveiled their discoveries through a press conference at the excavation site yesterday.

Oitijjo Onneshon, a Jahangirnagar University-based archaeological research organisation, conducted the excavation with support from Agrashar Bikrampur Foundation and the Department of Archaeology of the government.

Teachers and students of Jahangirnagar University and Comilla University took part in this year’s excavation.

Head of the excavation expedition Prof Sufi Mustafizur Rahman said more archaeological evidences were expected to be found at the site.

BETA Laboratory of the USA confirmed that the artefacts were formed between 780 AD and 1223 AD, added the archaeology professor of JU.

Nuh-Ul-Alam Lenin, president of Agrashar Bikramapur Foundation, said the artefacts were discovered at the depth of 1.5 feet to 15 feet.

Ibrahim Hossain Khan, secretary of the cultural affairs minister, and Altaf Hossain, director general of Department of Archaeology, also spoke.

The excavation started at the 10 acre site in 2010, and 25 students are taking part in the field work.

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Exploring Swat’s historical Uddiyana Kingdom on foot


A bird’s eye view of the 3rd century Kushan era Buddhist complex at Abba Sahib Cheena in Najigram, Swat. — Dawn

Published in Dawn, March 31st, 2017

MINGORA: The natural beauty and rich cultural heritage of Najigram valley mesmerised the members of a women trekking team, who visited Buddhist complex at Abba Sahib Cheena.

The members of the team said that they felt the serenity and taste of cultural heritage for the first time and would continue to explore and enjoy past of the Uddiyana Kingdom by peeping into the vast archaeological ruins mainly located in deep dales on mountains and along the gushing streams.

The women trekkers visited the ancient Bazira city of Alexander the Great and then the third century Kushan period Buddhist complex.

Rehmania Aman, a lecturer in Swat University and a member of the trekking team, said that her inner self filled with curiosity when she entered Abba Sahib Cheena. “When I entered the ancient Buddhist complex, I felt its impacts on our current civilisation,” she told this scribe.

Ms Aman said that natural beauty embodied with rich culture heritage and serenity of the valley was something, which she had not seen anywhere else. She added that architectural features and designs of the Buddhist monuments proved that architects of that time were talented people.

The Buddhist complex is one of the best naturally preserved archaeological sites comprising stupas, viharas and monastic cells, surrounded by residential structures. The land of the site has been acquired by provincial archaeology department and excavation of the site is expected soon.

The women trekkers said that they did not know about the rich cultural heritage of Swat. They said that the visit opened new ways of learning to them.

“I learnt something new and astonishing about the archaeological ruins here in Swat about which our course books and government have not proper information. The archaeological remains are the actual heritage of the land. The education, tourism and archaeology departments must organise trips for students to these places so that our young generation can learn about it,” Sahista Hakim, a journalist, told this scribe. Continue reading

KPK Govt. must save the Buddhist Archaeological site in Haripur (Pakistan) being plundered 

March 25, 2017

TEXT M. M. ALAM

Photos: taken by the digger illegally excavating & destroying the history of pakistan

Karachi: a source privy to newspakistan.Tv has been approached by a man illegally excavating a site in a village named gandaf in haripur (kpk- pakistan).

The man has sent the source few pictures of an ancient remains in his village. He wanted to know what it was.

Our source informed the digger that was an important buddhist archaeological site and property of state.

The digger, saying he was least interested in archaeology, continued his illegal excavation in search of treasures ruining the site in the process.

The following pictures were sent by the excavator and it is up to the government of  kpk to get the treasures back dug out by him. Specially when he intends to sell those priceless asset of the state.

 

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