Review by Jeffrey Martin
Cracker, Lee. The Monks Of Rural Thailand. San Francisco: Blurb, 2014.
While American photographer Lee Cracker’s images have appeared in mass circulation publications, he has taken lately to self-publishing a number of Thai-based projects, including books on the 2014 coup and a collection of Bangkok street images. If these are in any way similar to this volume on Buddhist monastics, they would benefit greatly from an editor familiar with the topic, and more fundamentally with visual narration.
The electronic version of The Monks of Rural Thailand is a 71-page pdf containing several lovely images of Thai bhikkhus engaged in typical monastic behavior. The images are accompanied by a brief description of Thai monasticism and a handful of Buddha quotes on the nature of suffering and liberation.
One of the impressive images featured in The Monks of Rural Thailand.
But the story, such as there is, feels incomplete and lacking direction. Most of the images appear to have been taken at public events. There are few private moments, such as monks in their quarters, or monks studying, or monks meditating. But even if there were, it might be difficult for viewers unfamiliar with their world to understand what they are seeing. Perhaps Cracker prefers a visual presentation that doesn’t require text, but I suppose the average viewer coming to this book would like to know what is pictured. As someone who has studied Buddhism formally, as well as practiced among Asian Buddhists, I have some familiarity with Buddhist monastics, but even so a few of the images in this collection left me wondering exactly what was happening. Cracker doesn’t even tell us in what part of Thailand these photos were taken. In addition, sequencing is opaque. There appear to be a set number of activities – praying, walking alms rounds, receiving donations, and taking part in ordination ceremonies – but the images are not suitably grouped and some seem to have no particular value in telling a story. Continue reading
People’s Daily Online
June 12, 2014
On June 10, with the sound of sutra bugle, lamas and many Buddhists carried on the large-scale Padmasambhava Thangka or Thanka Paintings to the platform for the exhibition of the Buddha. The grand ceremony not only attracted many local Buddhists, but also many pilgrims from China and abroad. Tsurpu Monastery is the ancestral temple of Karma Kagyu sect of Tibetan Buddhism and has nearly one thousand years of history. (CNS Photo)
For more images, follow the [link].
Carmen Mensink is a Dutch painter working in the Tibetan thangka tradition and will be conducting classes throughout the state of New York during July 2014. For a full schedule and descriptions of classes, please visit her website here.
Colorado Springs Independent
May 21, 2014
Thangka by Joan Bredin-Price
When you step into Colorado College’s IDEA Space during its 2014 summer exhibition Mandala of Enlightenment: The Dhyani Buddhas and Tara: Goddess of Liberation, you might think you’re simply surrounded by a couple dozen pieces of traditional Tibetan Buddhist art.
It’ll take some work on your part — reading the wall texts, in particular — to understand what’s happening in Joan Bredin-Price’s paintings around you. Continue reading
08 April 2014
A bronze sculpture with silver and copper inlay depicts Buddha and his followers on the cosmic mountain, Kashmir, circa 700.
At a time when museums seem to be torn between blockbusters and specialized scholarship, it’s refreshing to come across “In the Land of Snow: Buddhist Art of the Himalayas” at the Norton Simon Museum, a no-nonsense exhibition that spares the bells and whistles to make a strong case for the virtues of amateurism.
Not that long ago, before America was a nation of over-professionalized experts, pretension was something to be made fun of and it was OK to be an amateur. The word’s Latin root is “lover.” Admiration is essential to its definition.
Those emotions form the heart and soul of the two-gallery exhibition, which was organized by assistant curator Melody Rod-ari. Made up of 34 ceremonial objects of Vajrayana or Tantric Buddhism, all but two of which are drawn from the Pasadena museum’s impressive holdings of Asian art, “In the Land of Snow” is both manageable and satisfying.
Women of China
By Zhang Yuan
April 23, 2014
As an inheritor of Regong Art, a mix of religious art by Tibetan and Tu ethnic minorities and local folk arts, Niangben opened a Thangka art exhibition at the National Museum of China in Beijing, on April, 16. [Women of China/ Zhang Yuan]
As an inheritor of Regong Art, a mix of religious art by Tibetan and Tu ethnic minorities and local folk arts, Niangben opened a Thangka art exhibition at the National Museum of China in Beijing, on April, 16. As one of the forms of Regong art, Thangka is embroidered or painted on cloth, silk or paper, color scroll paintings, and depict illustrations of Tibetan cultures. Continue reading