Aug 3, 2016- Chandra Man Munikar, the founding Chairman of Vajra Kala Kunja, recently published a translation of his book on the mystical Charya dance form. The book, Vajrayana Tantrika Charya Dance, which was previously published in Nepali, has been widely appreciated not only in Nepal but various part of the world for its promotion of the dying dance form. In this interview with The Post, Munikar, a dancer himself, talks about his love for the Charya Dance and why art forms need to be documented. Excerpts:
Tell us about your new book?
Charya Nepal—Vajrayana Tantrika Charya Dance has been one of the most ambitious projects of my life. The book is about preserving the classical Charya Dance. With rampant modernisation, we are slowly losing parts of our culture, tradition and values. Charya, for instance, is the only classical dance form still widely practiced in Nepal now. In the book, I have tried to give an in-depth analysis of the dance and its facets. Thanks to a lot of encouragement from my peers, I have now published an English version of the book. The Nepali version has been available in the market for the past three years.
As an artist, did you ever think you would publish a book of your own?
I never considered myself a writer; I am a lover of performance arts. I come from an agricultural background but, thankfully, I had the opportunity to go to school and I keenly read whatever was provided through textbooks. I was only 16 when I was introduced to Charya Dance and I instantly fell in love with it. With regards to the publication of the book, I give all the due credit to Satya Mohan Joshi, who constantly encouraged me to preserve the art form through a book.
Can you tell us more about the essence of the book—Charya Dance?
There is a misconception that Charya Dance is a Newari dance but that is misguided. The Charya Dance is a Buddhist ritualistic dance. This form of classical dance had been widely popular in Bengal for centuries before it slowly faded away with modernity. All those involved with Charya Dance happened to flock to Nepal and the Charya community here has been preserving it since then. The people involved in the Charya community desire to make it extremely exclusive and keep it a secret—they believe this way they are preserving the pristine tradition but I disagree. Secrecy is definitely not the way to preserve a culture—hence this new book. At the moment, Tuladhars, Bajracharyas, Shakyas and Munikars are actively involved with this classical form of dance.
How has the response to the book been so far?
I have received great reviews for the Nepali version. The book was thoroughly enjoyed by the Buddhist community and students pursuing a degree in Buddhism. Three years ago, many people asked me to publish more prints due to the book’s high demand. People wanted to read more about it. I am currently sending my books to countries like India, Sri Lanka, China and France. The book has seen wide readership both in the country and abroad.
Is this book first of its kind on the dance form?
It is unfortunate that there had been no written details of the Charya Dance before this book. No one in the community wanted to write about it, like I said before—they thought that keeping it a secret would preserve it and infact they still hold on to the mentality that not many people should know about dance. Few years ago, an international student who was doing research on the dance wanted some information but it was difficult for me to provide her with any. Not many people wanted to speak about it. There were no written records or history. I had a difficult time researching for the book myself. But hopefully, this book will help open avenues for other traditional art forms to be documented as well. I like to think that this is a step in the right direction and hope to see other traditions documented for posterity as well.